Akos Peterbencze – Medium

Akos Peterbencze

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Published in
Age of Empathy

I Feel Like The Years Are Building a Cage Around Me

The rootlessness and elusiveness of time through the eyes of an immigrant

Apr 25

I Feel Like The Years Are Building a Cage Around Me

Apr 25

Published in
Fanfare

Time Hurts: ‘How to Make Millions Before Grandma Dies’

Time scars, time wounds and marks, whether you’re old or young

Nov 13

Time Hurts: ‘How to Make Millions Before Grandma Dies’

Nov 13

Published in
Age of Empathy

I’m Doing It: After Living 12 Years in London, I’m Moving to Malta

I’m buzzed, I’m terrified, I’m hopeful — all at once

Nov 9

I’m Doing It: After Living 12 Years in London, I’m Moving to Malta

Nov 9

Published in
Fanfare

Into Darkness: ‘The Descent’

“Down there, it’s pitch black”

Oct 31

Into Darkness: ‘The Descent’

Oct 31

Published in
Fanfare

‘Wise Guy: David Chase and The Sopranos’ Got Us Fans All Teary-Eyed and Nostalgic Once Again

Alex Gibney dissects one of the best TV shows ever made and the people behind it

Oct 23

‘Wise Guy: David Chase and The Sopranos’ Got Us Fans All Teary-Eyed and Nostalgic Once Again

Oct 23

Published in
Fanfare

‘Blink Twice’ and the Ramifications of Submitting Control

Is Zoe Kravitz’s directorial feature debut a feminist satire or a cautionary tale? An examination

Oct 18

‘Blink Twice’ and the Ramifications of Submitting Control

Oct 18

Published in
Fanfare

‘Bad Genius’ is a Conscientious Eat-the-Rich Heist Movie with Moral Integrity

A perhaps unnecessary but still satisfying remake of the Thai smash hit

Oct 10

Lynn focused during an exam

Oct 10

Published in
Fanfare

‘Disclaimer’ — Alfonso Cuarón’s Master Thriller is Fuelled by Sex, Grief, and Revenge

The Mexican auteur’s first mini-series on Apple TV+ is a slick narrative puzzle, oozing with intrigue and depravity

Oct 3

‘Disclaimer’ — Alfonso Cuarón’s Master Thriller is Fuelled by Sex, Grief, and Revenge

Oct 3

Published in
Fanfare

‘Ordinary People’ and The Unspoken Feelings We Take For Granted in Our Family

Robert Redford’s 1980 directorial debut forces us to re-evaluate and articulate love even when it’s uncomfortable, even when it hurts

Sep 24

Calvin and Conrad

Sep 24

Published in
Fanfare

‘Rebel Ridge’ is a Fierce, if Overwritten, Mashup of ‘First Blood’ and ‘Cop Land’

Jeremy Saulnier continues to make intense and uncomfortably real cinema

Sep 11

Aaron Pierre as Terry in Rebel Ridge

Sep 11

Akos Peterbencze

Akos Peterbencze

Freelance Grinder. TV Freak. Film lover. Regular contributor at Paste Magazine. SUBSTACK: https://thescreen.substack.com/

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